Realistic animal figures from Palaeolithic Parietal Art might have depended on the human ability to see-in natural forms of rock surface as something familiar like bison and horse. Bednarik has underestimated the integrated figures with natural shapes within caves, with mentioning to pareidolia, a pathological syndrome. I would like to appreciate, however, the significance of artists forms coincidence with natural undulated shapes, by introducing pre-exists theory for cave art by Lemozi, Renaissance by Leonardo and Michelangelo, and a contemporary sculpture by Maejima. Theoretically saying, external image formation should be a key concept to understand fundamental principles for cave art. Lastly, I would like to add a phenomenological proposition of intentionality by Husserl, to consider art in general.
雑誌名
鳴門教育大学研究紀要
雑誌名(英)
Research bulletin of Naruto University of Education
美術と見立て : 「統合論」と「先存在説」に依拠して
KK34024.pdf
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