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作家ニック・アダムズの「沼地」 : “On Writing” と喪失
https://doi.org/10.24727/00027755
https://doi.org/10.24727/000277553704efec-acca-4be3-9baf-4f5d26510c15
名前 / ファイル | ライセンス | アクション |
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KK25261.pdf (377.2 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2018-09-03 | |||||
タイトル | ||||||
言語 | ja | |||||
タイトル | 作家ニック・アダムズの「沼地」 : “On Writing” と喪失 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | The “swamp” of Nick Adams as a Writer : “On Writing” and a Sense of Loss | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | ヘミングウェイ | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | ニック・アダムズ | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | “On Writing” | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.24727/00027755 | |||||
ID登録タイプ | JaLC | |||||
著者 |
前田, 一平
× 前田, 一平× MAEDA, Kazuhira |
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所属 | ||||||
鳴門教育大学言語系コース(英語) | ||||||
抄録(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Ernest Hemingway was a writer who was extremely self?conscious about the position of an author in a story and some of his main characters in his published and unpublished stories are writers. The posthumously published story “On Writing” assumes the existence of Nick Adams as a writer somewhere in between the author Hemingway and the character Nick Adams, which requires the readers to differentiate the writer Hemingway and the writer Nick Adams as his artistic persona. “On Writing” was collected for the first time in The Nick Adams Stories edited by Philip Young. This posthumous short piece was the original ending of “Big Two?Hearted River” and Hemingway replaced it with the present one before the publication of the story. In this original ending Hemingway has the writer Nick Adams recollect what seems like Hemingway’s own experience. This self?referentiality as in metafiction should not be reduced to the reading that the story is autobiographical. Rather, the original ending’s self?referentiality could be interpreted as a strategy of concealment or control of the obviousness of the story’s autobiographical character. For that purpose Hemingway might have invented another writer as his artistic persona and have had the persona compose a story of the character Nick Adams as his alter ego. | |||||
言語 | en | |||||
書誌情報 |
ja : 鳴門教育大学研究紀要 en : Research bulletin of Naruto University of Education 巻 25, p. 261-272, 発行日 2010-03-03 |
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出版者 | ||||||
言語 | ja | |||||
出版者 | 鳴門教育大学 | |||||
出版者(別表記) | ||||||
言語 | en | |||||
出版者 | Naruto University of Education | |||||
ISSN | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 1880-7194 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA12124651 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
出版物サブタイトル | ||||||
人文・社会科学編 | ||||||
出版物サブタイトル(別表記) | ||||||
Humans and Social Sciences | ||||||
本文の有無 | ||||||
本文あり |