@article{oai:naruto.repo.nii.ac.jp:00027757,
 author = {西園, 芳信 and NISHIZONO, Yoshinobu},
 journal = {鳴門教育大学研究紀要, Research bulletin of Naruto University of Education},
 month = {Mar},
 note = {The purpose of this paper is to elucidate the following points through Dewey’s Art Experience Theory. First, to elucidate the generation of the body in artistic expression from its relation with rhythm ; second, to elucidate the general concepts and significance of the body in artistic expression ; and third, to elucidate the generation of the substance comprising the matter in artistic expression. Pulling these together results in the following. 1. With regard to artistic experience, when one organizes the materials they serve as the substance, which in turn serves as the body. The body and substance are integrated as one in works of art. Therefore, the body in artistic experience is generated when the energy that is involved in the formation of experiences through rhythm is concentrated and the matter of the experience is consolidated and becomes “an experience” amidst the developmental experiences brought about by the interaction between humans and their environment. 2. The body of art is synonymous with figure and design, and within artistic expression this body is something that rounds out experience as “an experience.” As such, the body of artistic expression is not limited to any specific purpose through the construction of materials, but is generated when it is rounded out into “an experience.” 3. When the body is generated through artistic experience, then shared artistic substances are furnished as part of this. These are the medium, qualitative whole, and space and time.},
 pages = {318--326},
 title = {J. デューイ芸術論にみる芸術の形式と実体（内容）の生成過程についての研究},
 volume = {25},
 year = {2010},
 yomi = {ニシゾノ, ヨシノブ}
}