@article{oai:naruto.repo.nii.ac.jp:00028129,
 author = {小川, 勝 and OGAWA, Masaru},
 journal = {鳴門教育大学研究紀要, Research bulletin of Naruto University of Education},
 month = {Mar},
 note = {Realistic animal figures from Palaeolithic Parietal Art might have depended on the human ability to see-in natural forms of rock surface as something familiar like bison and horse. Bednarik has underestimated the integrated figures with natural shapes within caves, with mentioning to pareidolia, a pathological syndrome. I would like to appreciate, however, the significance of artists forms coincidence with natural undulated shapes, by introducing pre-exists theory for cave art by Lemozi, Renaissance by Leonardo and Michelangelo, and a contemporary sculpture by Maejima. Theoretically saying, external image formation should be a key concept to understand fundamental principles for cave art. Lastly, I would like to add a phenomenological proposition of intentionality by Husserl, to consider art in general.},
 pages = {339--346},
 title = {美術と見立て : 「統合論」と「先存在説」に依拠して},
 volume = {34},
 year = {2019},
 yomi = {オガワ, マサル}
}