@article{oai:naruto.repo.nii.ac.jp:00028589,
 author = {小川, 勝 and OGAWA, Masaru},
 journal = {鳴門教育大学研究紀要, Research bulletin of Naruto University of Education},
 month = {Mar},
 note = {We have presented integration theory to explain the realistic appearance of animal figures from Palaeolithic parietal art. Now, in order to interpret the motives of Palaeolithic artists, we are to introduce two concepts, representation and intentionality. Intentionality is a phenomenological term, that has been mentioned by Rene Willerslev, Danish anthropologist who did his fieldworks with the Yukaghirs in northern Siberia, Russia. We must surmount a methodological problem of ethnographic parallels to judge the intention of the Palaeolithic artists. In the other hand, we must consider the essential relationship between humans and animals by considering intentionality, in order to reflect mentality of the Palaeolithic artists. For the indigenous, that is, pre-modern people, we think, humans and animals would be in mutual interchangeability. Palaeolithic parietal artists might have made their realistic animal figures with mutual integration into animals.},
 pages = {316--323},
 title = {表象と志向性：洞窟壁画の解釈をめぐって},
 volume = {35},
 year = {2020},
 yomi = {オガワ, マサル}
}