@article{oai:naruto.repo.nii.ac.jp:00029731,
 author = {小川, 勝 and OGAWA, Masaru},
 journal = {鳴門教育大学研究紀要, Research bulletin of Naruto University of Education},
 month = {Mar},
 note = {Max Raphael, Germany-born Jew, was the first author that claimed the structuralists’ interpretation on Palaeolithic Cave Painting. Why could he overcome the classical view of magical theory, and present originally his new vision for art world underground? Here, we try to answer this question from Max Raphael’s life as art historian and scientist of arts. His revolutionary theory has been accepted by following researchers like Laming-Empreire and Leroi-Gourhan. Now we must re-evaluate this forerunner in the history of Cave Art investigation.},
 pages = {210--216},
 title = {マックス・ラファエルの洞窟壁画論 : 構造主義的解釈の淵源を求めて},
 volume = {38},
 year = {2023},
 yomi = {オガワ, マサル}
}