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美術の「タフォノミー」について : 芸術の起源をめぐって
https://doi.org/10.24727/00027838
https://doi.org/10.24727/00027838510242ef-b3fc-46af-9e36-6a5fa853c837
名前 / ファイル | ライセンス | アクション |
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KK28028.pdf (5.4 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2018-09-03 | |||||
タイトル | ||||||
言語 | ja | |||||
タイトル | 美術の「タフォノミー」について : 芸術の起源をめぐって | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | On Taphonomy of art : An origin of art | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 洞窟壁画 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 美術の起源 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | タフォノミー | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | ショーヴェ | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | ブロンボス | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | parietal art | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | origin of art | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Taphonomy | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Chauvet Cave | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Blombos Cave | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.24727/00027838 | |||||
ID登録タイプ | JaLC | |||||
著者 |
小川, 勝
× 小川, 勝× OGAWA, Masaru |
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所属 | ||||||
鳴門教育大学芸術系コース(美術) | ||||||
抄録(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | The discovery of Parietal art at Chauvet, France, in 1994, for long time, has shocked the academic world of specialists for prehistoric arts. Above all, the absolute date of pigments used for confronting rhinoceros, for example, about 32,000 BP, is extraordinary against our common sense of art origin, and artistic high quality of the oldest art has needed to be explained by a proper theory. Australian Bednarik proposed the term ‘Taphonomy’ that situated the origin of art about 100,000 and more years ago. According to this theory, the art begins in simple lines, and developed to the complicated forms with colors for more than hundred thousand years. They say that humankind had made its art throughout for more hundred thousand years without intervals, and its testimonies disappeared only by the principles of Taphonomy. In this article, the author criticizes the view of art on Taphonomy because of no testimonies, and insists another concept of art, that is, Big−Bang of art. Human nature made suddenly its first art at Chauvet 32,000 years ago without any preliminary symptoms. About 40,000 years ago, Homo sapiens arrived at Western Europe to find caves, and entered them with simple lamps to see the natural forms on rock surface. They matured the power of seeing for thousand years, at last, became the first artist in the darkness. This is a story on the author’s argument of Integration. It is not only the problem of art beginnings, but also art theory in general. Thinking over Chauvet should make clear the basic principles of art. | |||||
言語 | en | |||||
書誌情報 |
ja : 鳴門教育大学研究紀要 en : Research bulletin of Naruto University of Education 巻 28, p. 421-428, 発行日 2013-03-15 |
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出版者 | ||||||
言語 | ja | |||||
出版者 | 鳴門教育大学 | |||||
出版者(別表記) | ||||||
言語 | en | |||||
出版者 | Naruto University of Education | |||||
ISSN | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 1880-7194 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA12124651 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
出版物サブタイトル | ||||||
芸術編 | ||||||
出版物サブタイトル(別表記) | ||||||
Arts | ||||||
本文の有無 | ||||||
本文あり |