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美術と見立て : 「統合論」と「先存在説」に依拠して
https://doi.org/10.24727/00028121
https://doi.org/10.24727/00028121f1c3410f-db01-4091-9f8a-948335a589a5
名前 / ファイル | ライセンス | アクション |
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KK34024.pdf (1.8 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2019-03-22 | |||||
タイトル | ||||||
言語 | ja | |||||
タイトル | 美術と見立て : 「統合論」と「先存在説」に依拠して | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Art and "Seeing-in" : depending on 'Integration' and 'Pre-exists' Theory | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 洞窟壁画 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 見立て | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 変像症 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 統合論 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 先存在説 | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | parietal art | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | seeing-in | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | pareidolia | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | integration | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | pre-exists theory | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.24727/00028121 | |||||
ID登録タイプ | JaLC | |||||
著者 |
小川, 勝
× 小川, 勝× OGAWA, Masaru |
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所属 | ||||||
鳴門教育大学芸術系コース(美術) | ||||||
抄録(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Realistic animal figures from Palaeolithic Parietal Art might have depended on the human ability to see-in natural forms of rock surface as something familiar like bison and horse. Bednarik has underestimated the integrated figures with natural shapes within caves, with mentioning to pareidolia, a pathological syndrome. I would like to appreciate, however, the significance of artists forms coincidence with natural undulated shapes, by introducing pre-exists theory for cave art by Lemozi, Renaissance by Leonardo and Michelangelo, and a contemporary sculpture by Maejima. Theoretically saying, external image formation should be a key concept to understand fundamental principles for cave art. Lastly, I would like to add a phenomenological proposition of intentionality by Husserl, to consider art in general. | |||||
言語 | en | |||||
書誌情報 |
ja : 鳴門教育大学研究紀要 en : Research bulletin of Naruto University of Education 巻 34, p. 339-346, 発行日 2019-03-11 |
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出版者 | ||||||
言語 | ja | |||||
出版者 | 鳴門教育大学 | |||||
出版者(別表記) | ||||||
言語 | en | |||||
出版者 | Naruto University of Education | |||||
ISSN | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 1880-7194 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA12124651 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
出版物サブタイトル | ||||||
芸術編 | ||||||
出版物サブタイトル(別表記) | ||||||
Arts | ||||||
本文の有無 | ||||||
本文あり |