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  1. 鳴門教育大学機関リポジトリ
  2. アイテムタイプ一覧
  3. 紀要論文
  1. 鳴門教育大学機関リポジトリ
  2. 紀要一覧
  3. 鳴門教育大学研究紀要
  4. 教育科学編
  5. 本文あり
  6. 第31巻

戦後音楽科教育の発展史

https://doi.org/10.24727/00027929
https://doi.org/10.24727/00027929
195545ec-c9c6-4a6f-b550-6dcbcc05cbf6
名前 / ファイル ライセンス アクション
KK31007.pdf KK31007.pdf (793.5 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2018-09-03
タイトル
タイトル 戦後音楽科教育の発展史
言語 ja
タイトル
タイトル The History of the Development of School Music in Postwar Japan
言語 en
言語
言語 jpn
キーワード
言語 ja
主題Scheme Other
主題 音楽科教育
キーワード
言語 ja
主題Scheme Other
主題 戦後
キーワード
言語 ja
主題Scheme Other
主題 歴史
キーワード
言語 ja
主題Scheme Other
主題 主体
キーワード
言語 ja
主題Scheme Other
主題 客体
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
ID登録
ID登録 10.24727/00027929
ID登録タイプ JaLC
著者 小山, 英恵

× 小山, 英恵

ja 小山, 英恵

ja-Kana コヤマ, ハナエ

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KOYAMA, Hanae

× KOYAMA, Hanae

en KOYAMA, Hanae

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所属
値 鳴門教育大学芸術系コース(音楽)
抄録(英)
内容記述タイプ Other
内容記述 The purpose of this study is clarifying the history of the development of school music in postwar Japan by examining the perception of music and the trends in school music in each age and suggesting the next challenge we must confront. This study reveals two points in the development of school music. The first point concerns the integration of subject and object in music. In post−war school music, music was considered to be the product of objective musical cultures and, hence, music education in schools focused on acquiring musical cultures as its object. Then, from the 1960-70s, schools began to focus on children as the subjects in music. Since the 1980-90s, the perception of music began to evolve slowly until it was considered to be a creative activity for children. Consequently, music focused on children as the subjects that participated in music. Now, in this century, both views have been integrated through the idea that musical experience is generated through perceiving elements of musical works as the object of the music and the children’s feelings as the subject. The second point concerns the expansion of the content of musical culture itself as the educational object. Immediately after the war, school music attached too much importance to traditional European music (classical music)and its techniques. In the 1960-70s, Japanese nursery songs and Japanese traditional music gradually began to be included in curricula. After this development, since approximately the1980-90s, school music also began to focus on popular music and folk music from all parts of the world. Furthermore, musical cultures focused on in school music now include not only music itself but also the human cultures related to this music as a means of providing a background to the musical works. Based on these points, this study suggests our next challenge will be to improve the present means of integrating subjects and objects in music education. Reconsidering what musical experience is, it can be generated not only by perceiving elements of musical works as objects and children’s feelings as subjects ; rather, children’s lives, through which they create themselves, underlie musical experience. Therefore, the next challenge for music education in schools may be to consider and incorporate children’s entire lives as the subjective side of integration in music.
言語 en
書誌情報 ja : 鳴門教育大学研究紀要
en : Research bulletin of Naruto University of Education

巻 31, p. 76-87, 発行日 2016-03-11
出版者
出版者 鳴門教育大学
言語 ja
出版者(別表記)
出版者 Naruto University of Education
言語 en
ISSN
収録物識別子タイプ EISSN
収録物識別子 1880-7194
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AA12124651
著者版フラグ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
出版物サブタイトル
値 教育科学編
出版物サブタイトル(別表記)
値 Education Sciences
本文の有無
値 本文あり
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