WEKO3
アイテム
{"_buckets": {"deposit": "ee135552-63cd-4290-8720-a94bab42b1f7"}, "_deposit": {"created_by": 5, "id": "29731", "owners": [5], "pid": {"revision_id": 0, "type": "depid", "value": "29731"}, "status": "published"}, "_oai": {"id": "oai:naruto.repo.nii.ac.jp:00029731", "sets": ["1903", "2843"]}, "author_link": ["27277", "27276"], "item_24_biblio_info_10": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2023-03-31", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "216", "bibliographicPageStart": "210", "bibliographicVolumeNumber": "38", "bibliographic_titles": [{"bibliographic_title": "鳴門教育大学研究紀要"}, {"bibliographic_title": "Research bulletin of Naruto University of Education", "bibliographic_titleLang": "en"}]}]}, "item_24_description_8": {"attribute_name": "抄録(英)", "attribute_value_mlt": [{"subitem_description": "Max Raphael, Germany-born Jew, was the first author that claimed the structuralists’ interpretation on Palaeolithic Cave Painting. Why could he overcome the classical view of magical theory, and present originally his new vision for art world underground? Here, we try to answer this question from Max Raphael’s life as art historian and scientist of arts. His revolutionary theory has been accepted by following researchers like Laming-Empreire and Leroi-Gourhan. Now we must re-evaluate this forerunner in the history of Cave Art investigation.", "subitem_description_type": "Other"}]}, "item_24_identifier_registration": {"attribute_name": "ID登録", "attribute_value_mlt": [{"subitem_identifier_reg_text": "10.24727/00029714", "subitem_identifier_reg_type": "JaLC"}]}, "item_24_publisher_11": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "鳴門教育大学"}]}, "item_24_publisher_12": {"attribute_name": "出版者(別表記)", "attribute_value_mlt": [{"subitem_publisher": "Naruto University of Education"}]}, "item_24_source_id_13": {"attribute_name": "ISSN", "attribute_value_mlt": [{"subitem_source_identifier": "1880-7194", "subitem_source_identifier_type": "ISSN"}]}, "item_24_source_id_14": {"attribute_name": "書誌レコードID", "attribute_value_mlt": [{"subitem_source_identifier": "AA12124651", "subitem_source_identifier_type": "NCID"}]}, "item_24_text_29": {"attribute_name": "出版物サブタイトル", "attribute_value_mlt": [{"subitem_text_value": "芸術編"}]}, "item_24_text_30": {"attribute_name": "出版物サブタイトル(別表記)", "attribute_value_mlt": [{"subitem_text_value": "Arts"}]}, "item_24_text_31": {"attribute_name": "本文の有無", "attribute_value_mlt": [{"subitem_text_value": "本文あり"}]}, "item_24_text_5": {"attribute_name": "所属", "attribute_value_mlt": [{"subitem_text_value": " 鳴門教育大学美術科教育コース"}]}, "item_24_version_type_23": {"attribute_name": "著者版フラグ", "attribute_value_mlt": [{"subitem_version_resource": "http://purl.org/coar/version/c_970fb48d4fbd8a85", "subitem_version_type": "VoR"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "小川, 勝"}, {"creatorName": "オガワ, マサル", "creatorNameLang": "ja-Kana"}], "nameIdentifiers": [{"nameIdentifier": "27276", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "OGAWA, Masaru", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "27277", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2023-04-12"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "KK38012.pdf", "filesize": [{"value": "863.5 kB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_free", "mimetype": "application/pdf", "size": 863500.0, "url": {"label": "KK38012.pdf", "url": "https://naruto.repo.nii.ac.jp/record/29731/files/KK38012.pdf"}, "version_id": "fe4ba2ac-92a9-4b7d-a78a-38b5192f3b47"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "後期旧石器時代", "subitem_subject_scheme": "Other"}, {"subitem_subject": "洞窟壁画", "subitem_subject_scheme": "Other"}, {"subitem_subject": "構造主義的解釈", "subitem_subject_scheme": "Other"}, {"subitem_subject": "マックス・ラファエル", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "マックス・ラファエルの洞窟壁画論 : 構造主義的解釈の淵源を求めて", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "マックス・ラファエルの洞窟壁画論 : 構造主義的解釈の淵源を求めて"}, {"subitem_title": "Max Raphael on Parietal Art: In search of Structuralists’ Interpretation Origin", "subitem_title_language": "en"}]}, "item_type_id": "24", "owner": "5", "path": ["1903", "2843"], "permalink_uri": "https://doi.org/10.24727/00029714", "pubdate": {"attribute_name": "公開日", "attribute_value": "2023-04-12"}, "publish_date": "2023-04-12", "publish_status": "0", "recid": "29731", "relation": {}, "relation_version_is_last": true, "title": ["マックス・ラファエルの洞窟壁画論 : 構造主義的解釈の淵源を求めて"], "weko_shared_id": -1}
マックス・ラファエルの洞窟壁画論 : 構造主義的解釈の淵源を求めて
https://doi.org/10.24727/00029714
https://doi.org/10.24727/00029714b59365ab-4f62-4551-ac47-006f0a4e7886
名前 / ファイル | ライセンス | アクション |
---|---|---|
![]() |
|
Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
---|---|---|---|---|---|---|
公開日 | 2023-04-12 | |||||
タイトル | ||||||
タイトル | マックス・ラファエルの洞窟壁画論 : 構造主義的解釈の淵源を求めて | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Max Raphael on Parietal Art: In search of Structuralists’ Interpretation Origin | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 後期旧石器時代 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 洞窟壁画 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 構造主義的解釈 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | マックス・ラファエル | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.24727/00029714 | |||||
ID登録タイプ | JaLC | |||||
著者 |
小川, 勝
× 小川, 勝× OGAWA, Masaru |
|||||
所属 | ||||||
鳴門教育大学美術科教育コース | ||||||
抄録(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Max Raphael, Germany-born Jew, was the first author that claimed the structuralists’ interpretation on Palaeolithic Cave Painting. Why could he overcome the classical view of magical theory, and present originally his new vision for art world underground? Here, we try to answer this question from Max Raphael’s life as art historian and scientist of arts. His revolutionary theory has been accepted by following researchers like Laming-Empreire and Leroi-Gourhan. Now we must re-evaluate this forerunner in the history of Cave Art investigation. | |||||
書誌情報 |
鳴門教育大学研究紀要 en : Research bulletin of Naruto University of Education 巻 38, p. 210-216, 発行日 2023-03-31 |
|||||
出版者 | ||||||
出版者 | 鳴門教育大学 | |||||
出版者(別表記) | ||||||
出版者 | Naruto University of Education | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 1880-7194 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA12124651 | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
出版物サブタイトル | ||||||
芸術編 | ||||||
出版物サブタイトル(別表記) | ||||||
Arts | ||||||
本文の有無 | ||||||
本文あり |